KUOW Jazz | KUOW News and Information

KUOW Jazz

The architect of the new service is veteran jazz radio host and programmer Steven Williams who has 40 years of experience in broadcast and jazz programming, most recently as program director of WBGO public radio in Newark, New Jersey.
Credit KUOW Photo/Bond Huberman

KUOW has launched a preview of a new music service called KUOW Jazz dedicated to jazz and blues.

KUOW Jazz is a comprehensive expression of the art form, covering all of the bases from the instantly recognizable trumpet of Louis Armstrong to the groundbreaking fusion of Esperanza Spalding, and everything in between.

KUOW Jazz is replacing our streaming service for World Radio Network and the BBC World service. Both BBC World Service and WRN are available to stream on their websites.  

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Marilyn Maye could easily be nominated as the voice of experience: At 88, she's one of our greatest living songbook singers, as well as a jazz-cabaret star of singular achievement. A vocal stylist both sensitive and swinging, with a deep understanding of her chosen tradition, she's had a storied career, and doesn't seem the slightest bit inclined to slow it down.

"Our best musicians in the jazz tradition were radical imaginers," Samora Pinderhughes says. A pianist and composer in his mid-20s, he has asserted his connection to that lineage with The Transformations Suite, an earnest and ambitious new work combining music, words and visuals. The piece, which took five years to chisel into shape, was inspired by African-American resistance and protest movements, as well as the oppression that many still endure.

Jeannie Cheatham On Piano Jazz

Jan 13, 2017

Pianist and vocalist Jeannie Cheatham began piano lessons at the tender age of 5. At 13, she became intoxicated by the sounds of jazz. Cheatham toured with such blues artists as Jimmy Witherspoon, T-Bone Walker, Odetta and Big Mama Thornton. In the 1950s she met her husband, bass trombonist Jimmy Cheatham, and the pair formed the Sweet Baby Blues Band.

This year's Winter Jazzfest, which took place last week in New York City, presented an explicit theme of "Celebrating Social Justice." Conceptually and musically, Winter Jazzfest pushes the genre forward; after taking in as many of the 130-plus acts across many stages in Manhattan and Brooklyn as they could, our team reported back with some of the festival's highlights.


"Stories like forests are subject to seasons."

The New Year holiday tradition continues with the Toast of the Nation jazz party. Spirited, improvised and swinging, each hour was recorded live at Blue Note venues throughout the country and the world.

2016 brought a lot of loss to the music community: Leonard Cohen, Sharon Jones, David Bowie and Prince, just to name a few. Jazz also lost great players from Paul Bley to Gato Barbieri to the three we're profiling this hour on Jazz Night in America — vibraphonist Bobby Hutcherson, harmonica player Toots Thielemans and bassist Victor Bailey.

Ring in the holidays with the Jazz at Lincoln Center Orchestra. This week, Jazz Night in America breaks format: no stories or interviews, just a show full of good music. With guest vocalists Audrey Shakir and Denzal Sinclaire, Wynton Marsalis leads the orchestra through new arrangements of holiday classics. The set begins with an energetically swinging version of "Jingle Bells" — the perfect complement for cooking in the kitchen, wrapping gifts or decorating the tree.

In this festive annual tradition, the Jazz at Lincoln Center Orchestra and Wynton Marsalis offer swinging and soulful performances of classic holiday music.

In addition to the selections heard on their Big Band Holidays album, the ensemble will perform new arrangements of songs both sacred and secular, from "Silver Bells" to favorites like "Have Yourself a Merry Little Christmas."

The occasion features Sherman Irby, an extraordinary saxophonist, arranger and composer whose most recent commissioned work was met with a standing ovation in Rose Theater.

In 1971, pianist, composer and bandleader Eddie Palmieri put out a formative album called Harlem River Drive. Written in the heat of racial turbulence, its lyrics addressed the inequality Puerto Ricans faced in New York City. The album served as a form of protest, as well as commentary on social-justice issues for the people of El Barrio, East Harlem.

Though the Latin funk classic didn't take off in the early '70s, it later became an underground classic. Its enduring songs remain relevant today.

2016 has been a time of great loss for music: Prince, David Bowie, Leonard Cohen and Sharon Jones all passed away this year, just to name a few. The jazz world was no exception.

When you see Mary Halvorson on stage, she doesn't look like much of a trailblazer. She plays sitting down. She's small, and mostly hidden behind her hollow-body guitar and glasses. But then she starts to play. And the sounds coming out of her amp are anything but conventional.

Musical Cannibalism With Cyro Baptista

Nov 10, 2016

Anthropofagia — cultural cannibalism — is a concept based on an essay published by the poet and father of Brazilian modernism, Oswald de Andrade. A passage from that "Manifesto Antropofagico" reads:

"Only cannibalism unites us. Socially. Economically. Philosophically. The unique law of the world. The masked expression of all individualism and collective movement."

Brazilian "percussionista" Cyro Baptista has applied this philosophy to create ingenious music for more than five decades.

The Lush Life Of Billy Strayhorn

Nov 3, 2016

The fruitful collaboration between Billy Strayhorn and Duke Ellington is widely known to have brought us such classics as "Take The 'A' Train," "Chelsea Bridge" and "Isfahan." But behind the music, Strayhorn's life and identity were complex.

Herbie Hancock's Latest Voyage

Oct 20, 2016

Herbie Hancock always seems to be on some kind of voyage. Whether he's improvising in a spaceship surrounded by 11 keyboards or forming new iterations of bands, you can always count on him to push the possibilities and the boundaries of jazz.

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