At least, the best pieces of memorabilia we’ve ever seen. Because the Museum of History and Industry let KUOW’s Deborah Wang peek at the stash that came into their hands as part of a settlement between the city of Seattle and Clay Bennett.
Jean-Luc Godard used to say that all you needed to make a noir film was “a man, a woman and a gun.” Many movies still use that basic premise, but how do the Film Noir movies hold up some 60 years later?
Ross Reynolds talks with the "Czar of Noir" Eddie Muller about the notoriously dark film genre, the role it plays in film today and the noir festival that kicks off in Seattle tonight.
Just as humans aren’t born knowing how to talk, birds aren’t born knowing what songs to sing. Take the song sparrow: Their songs are combinations of buzzing, trilling and music notes. Each song sends a message: “This is my territory,” or “Don’t mess with me.”
An aggressive sparrow mimics another bird's song, like a sort of playground argument. “Stop copying me.” “Stop copying me.” “Stop it!” “Stop it!” – until it comes to blows. Michael Beecher has been studying sparrow communication for nearly 30 years. Katy Sewall joins him in the field to start a sparrow fight.
The 12th Avenue Arts project will transform a Seattle Police Department parking lot into one of Capitol Hill's newest multi-use buildings. In addition to retail and apartments, the building will include two theaters and office space for three small theater companies.
You probably know the bands that put Seattle on the international music map in the early 1990s. Nirvana, Soundgarden and Pearl Jam have become legends, but they're only part of the Seattle music story. Women rocked the scene, too. Gretta Harley came to Seattle in 1990, looking for her tribe, and she says she found it.
Mourning begins in a kind of thick non-seeing, only later clarified, gradually lightening, until we recognize what our lives must carry.
So begins "The Planet Closest To Us," Alice Derry's frank and moving poem about grieving the loss of someone who it was not always easy to love -- her mother. Derry reads her poem, and talks about the unexpected gift in her mother's passing.
If you ask American ballet dancers to name the person with the biggest impact on their artform, chances are they'll answer: George Balanchine.
"George Balanchine changed the way we look at dance," enthuses Seattle arts writer Sandi Kurtz. "In the same way Picasso changed the way we look at visual art, the same way Mozart changed what we heard in the concert hall."
More than 28 million people tuned in to watch the Grammy Awards — how much do the Grammy's actually have to do with music? Bush family photos are posted online after a hacker breaks into several private email accounts. What kind of a window is it into the former president’s life, and is it a window we should be caught looking through? Also, director Steven Soderbergh says he's retiring from filmmaking. What legacy does he leave behind and how does film fit into the storytelling medium today? Northwest Film Forum’s Lyall Bush, singer and songwriter Rachel Flotard and Three Imaginary Girls co-founder and editor Liz Riley join us to discuss the week's art and culture news.