Journalist Calvin Trillin is a longtime writer for The New Yorker and The Nation magazine's "Deadline Poet." He has published more than 20 books, ranging from memoir ("About Alice") to humor ("Quite Enough of Calvin Trillin: Forty Years of Funny Stuff"). His latest book, "Dogfight: The 2012 Presidential Campaign in Verse," is a poetic recap of the memorable milestones along the campaign trail. Trillin joins us to reflect on the people, pitfalls and promises of the 2012 campaign.
Many Pacific Northwest artists feel compelled to respond to the drama of the salmon fighting their way upstream to spawn. In "Finding the Poem," Port Angeles poet Alice Derry sees in the salmon's efforts a parallel with the way we learn to accommodate each other in a long marriage — and how often it is loss that teaches us, finally, how to do it.
Why do we make art? and Is it worth the personal cost? are two of the central questions in Christine Deavel's poetry collection "Woodnote" (Bear Star Press, 2011). Deavel is the co-owner of a poetry-only bookstore in Seattle's Wallingford neighborhood, and a graduate of the prestigious Iowa Writers Workshop. "Woodnote" has even won the Washington State Book award for poetry. But even so, Deavel describes herself as someone who is almost constantly in crisis about why she, or anyone, writes. KUOW's Elizabeth Austen spoke with Christine Deavel about that ambivalence and how it plays out in her work.
Your attitude toward rain and seemingly endless dark skies may be the best litmus test for whether you are a true Northwesterner. Do you resist or embrace the shift toward dark, wet days? In her poems “Under the Graphite Sky” and “Strange How You Stay,” Orcas Island poet Dorothy Trogdon gives us a uniquely Pacific Northwestern view of winter.