Every year as I make my lists of best releases, I feel like that cartoon bodybuilder at the beach, ridiculously flexing in hopes of gaining some fluttery attention. How silly! My ego is all wrapped up in proving my superior powers of discernment, and here's the big competition, where my picks prove that I have more muscle than than my peers. Some years defeat the critic's effort to show off, however: consensus is so strong about a few releases that we all have to strike the same adoring poses.
Jimi Hendrix may be one of Seattle’s most famous musical sons, but the legendary guitarist really made his name after he left home. A new show at the Experience Music Project, “Hear My Train A Comin': Hendrix Hits London,” argues that while Jimi Hendrix had a solid musical career in the United States, it wasn’t until he arrived in London in 1966 that he became the rock icon we remember.
What kind of year was 2012 musically? Which artists rose to the top? What musical trends did you hear? We review the year in music with The Vera Project's Beth Warshaw-Duncan, Liz Riley of Three Imaginary Girls and writer/DJ/hip-hop artist Larry Mizell. What musical discoveries did you make this year? Share them with us at 206.543.5869 or firstname.lastname@example.org.
On today's show, we bring you some of our favorite segments of the year. We talk about vulnerability, photography and The Boss.
Is There Power In Vulnerability?
Being vulnerable and open to failure makes us uncomfortable, but according to the research of Brene Brown, we can’t have success without vulnerability. Ross Reynolds discusses the power of vulnerability with University of Houston Professor Brene Brown.
Seattle-Based Artist Goes Small Then Large To Highlight The Big Picture
Mina Miller is a Seattle pianist who founded the organization Music of Remembrance 15 years ago. Her passion for the organization springs in part from her family history. Mina comes from a Holocaust family.
Two-time Grammy Award-winning musician, composer and vocalist Taj Mahal is celebrating four decades in American blues and roots with a new album, "Maestro." He joins us in the studio to talk about his musical life and legacy ahead of a run of shows with the Taj Mahal Trio starting tonight at Seattle's Jazz Alley.
Wayne Kramer was the guitarist of the protopunk 60s band, the MC5. When the band broke up, Kramer drifted into addiction and drug dealing which landed him in a federal prison with a four-year term. Today he works on a program called Jail Guitar Doors, working to get music into prisons. Ross Reynolds talks with Wayne Kramer about music programs in prison.
We speak with Karen Porterfield, candidate for Congress in Washington's 8th District, and Priya Guha, Britain's top diplomat in the Northwest. Plus, we hear live music from members of the award-winning Roosevelt High School Jazz Band and get a weekend weather forecast from Nick Bond.
Seattle’s Tudor Choir is a 20 year-old institution founded by a University of Washington student with a passion for music and history. During his years at the University of Washington, Tudor Choir founder and artistic director Doug Fullington put together a group of fellow students to sing English Renaissance music associated with the Tudor Monarchy of the 15th and 16th centuries.
Local record producer and writer Pat Thomas recently compiled a collection of music written by and for the Black Power movement, "Listen, Whitey! The Sounds of Black Power 1965–1975." One of the musicians he discovered in putting the album together is a woman named Elaine Brown. She was the head of the Black Panther party during the mid '70s. Today, she's most well known for her activism for prisoners, but Pat thinks her music from the late '60s and early '70s has a message that still applies today. He recommends listening to "Seize The Time," "The End of Silence" and "Until We're Free."
Musician Dave Matthews has a new album called “Away From The World.” He's just home from tour and joins us to muse on everything from the upcoming presidential election to avoiding wheat. Tune in for an off-the-cuff conversation between Dave and Steve, and pledge your support for KUOW.
Marcus Pimpleton talks a lot about family. When he's teaching music, Pimpleton might compare a decrescendo to the way teens yell at their parents: they start loudly, but quickly get quiet when they realize it's a bad idea.
"People [in the band] appreciate you and treat you like family," Pimpleton told RadioActive's Farhan Vohra. He was describing the close-knit group of 150 students and mentors from the greater Seattle area who participate in the All-City Band. "They make it a comfortable place to be who you are."