More than 28 million people tuned in to watch the Grammy Awards — how much do the Grammy's actually have to do with music? Bush family photos are posted online after a hacker breaks into several private email accounts. What kind of a window is it into the former president’s life, and is it a window we should be caught looking through? Also, director Steven Soderbergh says he's retiring from filmmaking. What legacy does he leave behind and how does film fit into the storytelling medium today? Northwest Film Forum’s Lyall Bush, singer and songwriter Rachel Flotard and Three Imaginary Girls co-founder and editor Liz Riley join us to discuss the week's art and culture news.
Originally published on Mon February 4, 2013 9:38 am
One of the Twitter hashtags devised by rabid Beyonce fans before last night's Super Bowl halftime show was religious in nature: #praisebeysus. Praise Beysus! This bit of hyperventilating resonated in interesting ways. Strutting into the very center of America's biggest television spectacle, the 31-year-old superstar intended to secure her place in the musical pantheon next to recent Super Bowl-approved legends Madonna, The Who, Bruce Springsteen and Prince.
Dr. John has been in the right place and the wrong place but it's always the right time for his music. The multiple Grammy Award-winner and Rock and Roll Hall of Fame inductee has been playing music since he was a teenager. His most recent album, "Locked Down," was produced by Dan Auerbach of the Black Keys and has him playing a Farfisa organ while he sings of revolution, the scourge of crack and the goodness of god. We talk with Mac Rebennack, a.k.a. Dr. John, ahead of his shows at Seattle's Jazz Alley.
The old saying “it’s about the journey, not the destination” is one that comes to mind when listening to the music of Franz Schubert. Seattle Weekly music writer and composer Gavin Borchert has been thinking a lot lately about Schubert and the distinctive way the composer’s music slowly unfolds over time. To Gavin’s ears, Schubert, an early 19th century composer, has a strong kinship with American minimalist composers of the 20th and 21st centuries. That kinship is explored in a new recording called“The Knights: A Second of Silence.”