Mark Arm and Steve Turner founded Mudhoney years before the national music press catapulted Seattle onto the national stage. Their 1988 debut single, “Touch Me I’m Sick,” was the first major hit for Sub Pop Records. While they’ve also had careers outside of music-making, the band has remained together for more than 25 years, continuing to record and go on tour. We talk with singer and guitarist Mark Arm about Mudhoney’s latest album, "Vanishing Point."
There’s an old joke among saxophone players: The instrument, they say, comes from the factory out of tune. Dr. Michael Brockman is a professor of saxophone at the University of Washington. He actually thinks the saxophone can be tuned, and he’s determined to do something about it.
Our spring membership drive rolls along with two of our favorite interviews: two-time Grammy winning musician Taj Mahal joined us late last year to celebrate 40 years in music and a new retrospective album, "Maestro." Plus, we listen back to a conversation with Harvard psychologist Steven Pinker about his book, "The Stuff of Thought: Language as a Window Into Human Nature."
The local folk/rock band The Maldives have performed everywhere from the back of a flatbed truck to the stages of Sasquatch, Bumbershoot, Capitol Hill Block Party and SXSW.
The Maldives are a seven-member band that started with lead singer and guitarist Jason Dodson over six years ago, and have established themselves as a quintessential band in the Northwest music scene. Jason Dodson joins us in studio to talk and perform live.
Seattle's music scene was booming in the mid-1990s. Four friends from different established bands decided to get together for a side project called Mad Season. Layne Staley sang in Alice in Chains, Mike McCready played guitar for Pearl Jam, Bassist John Baker Saunders toured with The Walkabouts and Barrett Martin was the drummer for Screaming Trees.
Originally published on Thu March 14, 2013 1:40 pm
PORTLAND - During World War II, a popular song called "Rosie the Riveter" turned female assembly workers into icons. Women filled in at places like the Boeing airplane factory in Seattle and the Kaiser shipyards in Portland while the men went off to war.
But one famous guitar company allegedly tried to hide the fact that it was using female replacements to keep making its musical instruments. Now, seven decades later, a Portland guitarist is helping to tell that story.
Seattle singer-songwriter Shelby Earl released her debut album, the folk-rock "Burn the Boats," in 2011. Since then she’s been touring and working on her second album, due out this year. She stops by the studio to play a few songs ahead of her trip to Austin's South by Southwest festival.
It sounds shocking, but earworms are an epidemic that affect at least 90 percent of people as often as once a week. That’s according to a Goldsmiths University study. But before you go logging onto WebMD, fear not! These earworms are more commonly referred to as songs, regular old songs — often radio hits or catchy grooves that burrow deep within the human brain. For instance, maybe you've been visited by this hungry earworm:
North Dakota is booming. The state's unemployment rate is just 3.2 percent — well below the national average of 7.9 percent. Officials are trying to keep pace with a population surge brought on by oil industry jobs that have made North Dakota the country's number two oil-producing state. But what will extracting millions of barrels from the Bakken oil field mean for the region's environmental and economic future? Writer and reporter Richard Manning joins us with the story of North Dakota's oil boom.
You probably know the bands that put Seattle on the international music map in the early 1990s. Nirvana, Soundgarden and Pearl Jam have become legends, but they're only part of the Seattle music story. Women rocked the scene, too. Gretta Harley came to Seattle in 1990, looking for her tribe, and she says she found it.
Turning 18 marks a form of adulthood at least, bringing new independence and legal rights. For a foster child in Washington state, turning 18 can also mean the end of a stable home life. InvestigateWest reporter Claudia Rowe joins us with the story of one young woman’s experience “aging out” of foster care, and what state government might do to help.
In 1977, Cornish College of the Arts faculty member Jovino Santos Neto was coming back home to Brazil after university studies in Canada. Jovino was planning to do graduate work in biology in the Amazon rain forest. But on a whim, Jovino decided to first knock on the door of the famous Brazilian composer, bandleader and multi-instrumentalistHermeto Pascoal.