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music

Couresty of Phil Elverum

Phil Elverum, aka Mount Eerie, wrote an album about his grief after the death of his wife. This is his story.

Try out a Sad Bath. You just might like it

Mar 21, 2017
music concert
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From Seattle's Macefield Music Festival in Ballard DJ Michael Stevens shares with Bill Radke some local bands you ought to know about.

Bill Radke talks with music director Ludovic Morlot about the Seattle Symphony's performance of "Music Beyond Borders: Voices from the Seven." The concert was performed just 12 days after Donald Trump signed an executive order banning entry to the U.S. from seven majority Muslim countries.

Portland’s most prominent music teacher is facing allegations that he was inappropriate with some teenage students. Thara Memory has been coaching high school musicians in his American Music Program for over a decade. The news has sent the city’s musical community into a tailspin.

We watched more than 6,000 videos. Ten judges weighed in. Now, the 2017 Tiny Desk Contest has a winner.

Seattle loves swing, as featured in a sidewalk sculpture on Capitol Hill.
Flickr Photo/ Steve Bernacki (CC BY-NC 2.0) https://flic.kr/p/bQqca2

Amanda Wilde speaks with historian Feliks Banel, a self-described huge fan of live local radio, about The Swing Years' place in Seattle radio history. 

music concert
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Bill Radke speaks with Jonathan Zwickel, senior editor of City Arts magazine about local music you should be listening to. Zwickel puts out a monthly list of local artists for City Arts called "Attractive Singles."

Is Thunderpussy too offensive to trademark?

Feb 13, 2017

Bill Radke talks to Molly Sides and Leah Julius of the Seattle band Thunderpussy and their struggle to trademark a name that the federal government has deemed too offensive. A case currently in the Supreme Court will determine if their name, among others, will be given trademark status. The members discuss why a trademark is so important, the misconceptions about their name and why they struggle with other names, such as the Washington Redskins, that would also benefit from this ruling.  

My Twitter feed is still roiling. As I write this, it's been mere moments since my friends and colleagues (and a few assorted celebrities) started taking a break from praising the 2017 Grammys' most vital and viral performances — A Tribe Called Quest, Beyoncé, The Time, a bonkers Lady Gaga-Metallica mashup — to fume about Adele's sweep of the night's top three prizes.

Updated at 3 p.m. ET

Al Jarreau, a versatile vocalist who defied categorization for decades, died Sunday morning at the age of 76. Earlier this week, Jarreau had been hospitalized in Los Angeles "due to exhaustion," according to his official Facebook page.

It's perhaps the unlikeliest symphony orchestra in the world — an all-female ensemble from a strict Muslim society where it's often dangerous for young women to step outside of their homes unescorted. It's called Zohra — the name of a music goddess in Persian literature, according to its founder.

And they were performing at an unlikely venue — a hall attached to Kaiser Wilhelm Memorial Church, a bombed-out ruin in western Berlin commemorating the horrors of World War II. It's just steps from where Berliners experienced their first ISIS-linked terror attack six weeks ago.

Does protest music matter anymore?

Jan 19, 2017
music concert
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Bill Radke speaks with music critics Charles Cross and Gina Arnold about what makes a good protest song. They also discussed how protest music has changed over the decades. 

Wimps singer/ guitarist Rachel Ratner
KUOW Photos / David Hyde

Donald Trump’s promise to build a wall along the Mexico border has inspired plenty of protest. Including a song by Portland-based musician Kyle Craft, “Before the Wall."

“It's just one big question,” Craft said, asking “what does that wall represent, not only to people inside of it, but outside of it?”


On this edition of In Black America, producer/host John L. Hanson Jr. speaks with the late Ruth Brown, the original queen of rhythm and blues.

Brown’s career took her from the Apollo theatre to Broadway. She was the most prolific African American female R&B vocalist of the '50's, surpassing Dinah Washington for a time.

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