movies

In 'Blue Ruin,' Revenge Is Not Served Cool

Apr 25, 2014

Revenge at the movies is a dish best served not cold, but cool. Homemade justice isn't just meted out by the wronged onscreen; it's delivered with swagger, style, and steely-eyed bad-assery. Michael Caine as Carter, Uma Thurman as The Bride, Charles Bronson as Paul Kersey: These are all individuals who are suave under pressure and look pretty hip to boot, in well-tailored three-piece suits, canary yellow racing leathers, and black leather jackets. (Shotgun, katana, and .38 Special accessories definitely not optional.)

The new film Hateship Loveship was adapted from an Alice Munro short story and stars Saturday Night Live alumna Kristen Wiig in a performance that's a far cry from her outrageous characters on the comedy show.

In it, Wiig plays Johanna, a caretaker in Iowa assigned to help a grandfather, played by Nick Nolte, look after his 14-year-old granddaughter, Sabitha. Sabitha's mother died in a car accident when Sabitha's father, Ken, played by Guy Pearce, was driving drunk and high.

'Jodorowsky's Dune': The Greatest Film That Never Was

Mar 21, 2014

"Dune will be the coming of God."

A frisky tour of the Gallic equivalent of the U.S. State Department, The French Minister boasts robust pacing, screwball-comedy banter and an exuberant central performance. For most American viewers, though, the movie could use footnotes to go with its subtitles.

Feared and feared for in equal measure, today's teenagers are prisoners of pop and punditry. Branded as bad seeds or delicate flowers, they take shape in the public mind as either neglected or overprotected by their parents, abused by or abusive of the Internet, oversexed or terrified of sex. Is coming of age the pits, or what?

Many years ago, the great and grumpy British TV writer Dennis Potter (The Singing Detective, Pennies From Heaven) rounded a corner in a prominent New York art museum and stood wondering whether the coiled thingy on the wall in front of him was a work of art or an emergency fire hose.

"I'm sorry you have to see my pancake face."

Those are among Shailene Woodley's first words as she opens the door to a suite in the Beverly Wilshire Hotel. She's got a publicists' luncheon later in the day — otherwise, she explains, under absolutely no condition would she have worn makeup for an interview.

Wes Anderson's New Hotel Proves Pretty Grand Indeed

Mar 7, 2014

Chances are you've already made up your mind about Wes Anderson. Either you're willing to go with the meticulous symmetry of his dollhouse compositions, the precious tchotchke-filled design sensibility and the stilted formality of his dialogue, or you check out of his storybook worlds in the first five minutes. On the evidence of his eighth feature, The Grand Budapest Hotel, it's clear no one is more aware of his idiosyncracies than Anderson himself — and he's not apologizing.

Talk about meeting cute: The first time they're alone together, the protagonists of 300: Rise of an Empire rip each other's clothes off. But then Themistokles (Sullivan Stapleton) and Artemisia (Eva Green) can't decide if they want to make love or war.

When people talk about Bollywood movies, they usually mean Indian romances with extravagant musical numbers. But there are smaller Indian films, too, and one that has earned international acclaim at film festivals is opening tomorrow in major U.S. cities. It's called The Lunchbox.

Decades after the end of World War II, the partly burned body of a young woman was found in a wooded area near the Norwegian town of Bergen. Her possible connection to a long-simmering Norwegian scandal, one dating back to the war, became the subject of a novel by Hannelore Hippe — and, in turn, of Two Lives, a new thriller loosely based on that novel.

'Non-Stop': Liam Neeson, Armed And Dangerous Again

Feb 28, 2014

"Have you ever fired two guns whilst jumping through the air?" So asks one character in Edgar Wright's excellent 2007 comedic tribute to buddy-cop movies, Hot Fuzz, in a moment meant to highlight the simultaneous ridiculousness and awesomeness of that particular action-movie trope.

You won't believe it — I didn't — but the person responsible for keeping each and every shot of a movie in focus never looks through a camera lens.

"No," says focus puller Baird Steptoe. "We do not look through the camera at all."

Steptoe has worked as a first assistant cameraman on films from The Sixth Sense to Thor to last year's Grownups Two. He says he's learned to judge distances — precise distances — with his naked eye alone.

"I mean, I can tell you roughly from you to me right now," he says. "I would say about 2-11."

How One Winner Changed The Academy Awards

Feb 27, 2014
Flickr Photo/Davidlohr Bueso (CC BY-NC-ND)

In anticipation for the Oscars this weekend, Steve Scher sat down with Swing Years host Amanda Wilde to discuss the history of the Best Original Song category.

Almost two decades after publishing his last Calvin & Hobbes comic strip, elusive cartoonist Bill Watterson is back — with a film poster. The documentary, Stripped, is a self-described "love letter to comic strips" that includes interviews with, among others, Jeff Keane of Family Circus, Richard Thompson of Cul de Sac and Watterson himself.

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