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For those who haven't had the good fortune to attend a jazz festival this summer, Jazz Night has a ticket just for you — section A, row 1 for The Robert Glasper Experiment.

There's an emblematic photograph of Herbie Hancock on the back cover of his album Sunlight, which he began recording 40 years ago this month. He's depicted against a red backdrop with a Sennheiser vocoder headset on his cranium, which is bowed in deep focus.

Almost exactly 30 years ago, guitarist John Scofield recorded an album he evocatively titled Loud Jazz. Not quite a decade later, he made one called Quiet. Both albums were statements of intent, widely embraced and justly acclaimed. And despite the obvious differences between the two, both were genuine expressions of Scofield's musical personality, which has always been more flexible than those extreme dynamic markings would seem to suggest.

"I've got a pocketful of blues here still, you know?" says Charles Lloyd, the saxophonist-flutist-composer-bandleader who, at 79, has become one of jazz's enlightened elders.

Denise Eileen Garrett was only 3 years old when her family moved to Flint, Mich., from Memphis, Tenn. This was long before she became Dee Dee Bridgewater, jazz-vocal superhero — to say nothing of a mother, a Tony- and Grammy-winner or an NEA Jazz Master. But Memphis left an impression on the little girl, subtle but persistent, somewhere in her psyche.

Yes, Ravi Coltrane is the son of the John Coltrane, one of the most famous and important jazz saxophonists and composers of all time. He's also the son of multi-instrumentalist, composer and spiritual leader Alice Coltrane Turiyasangitananda. (In fact, all members of the band here are performing artists in their own right and come from artistically rich families; drummer E.J.

The National Endowment for the Arts (NEA) Jazz Masters award, which comes with a $25,000 prize, is widely described as United States' highest honor for jazz. Today, the NEA announced its four newest recipients of the prize: pianist Joanne Brackeen, guitarist Pat Metheny, singer Dianne Reeves and producer Todd Barkan.

For a long stretch of his early performing career, vibraphonist Gary Burton was always the youngest man on the bandstand. A child prodigy from Indiana, and then an onrushing force on the scene, he apprenticed with the great Nashville guitarist Hank Garland before going on tour with pianist George Shearing, followed by tenor saxophonist Stan Getz.

William P. Gottlieb/Ira and Leonore S. Gershwin Fund Collection, Music Division, Library of Congress
William P. Gottlieb/Ira and Leonore S. Gershwin Fund Collection, Music Division, Library of Congress

At the time of this interview Lionel Hampton (1908 – 2002), vibraphonist, band leader and composer, had been a working musician for 62 years when he spoke with Ross Reynolds.

Hampton introduced the vibraphone as a jazz instrument, wrote jazz standards (“Flying Home”), performed with jazz greats Louie Armstrong, Benny Goodman, Gene Krupa , Duke Ellington, Dizzie Gillespie, and discovered Dinah Washington and Joe Williams.  He also recruited Seattleites Quincy Jones and Ernestine Anderson for his bands. 

Sonny Rollins wasn't really thinking about the formation of an archive as he went about his life and career over the last 60 years — as a tenor saxophonist of unsurpassed stature, an artist of active spiritual and social engagement, and an embodiment of jazz's improvisational ideal.

The low end has always been terra firma for Buster Williams, one of the all-time great bassists in modern jazz.

A newly released, not-quite-reissue album has shed some very eagerly awaited light on rarely heard music music made by one of the most fascinating — and even arguably misunderstood — musicians in jazz: the late pianist, organist, harpist, keyboard player, composer and spiritual leader Alice Coltrane Turiyasangitananda.

Moses Boyd Exodus ended its performance at the 2017 South by Southwest music festival with a rampaging take on its trademark tune, "Rye Lane Shuffle." Drummer Moses Boyd, the band's young founder and namesake, rumbled freely on his toms, joined by a fervent-sounding Binker Golding on tenor saxophone. The groove that emerged was Nigerian Afrobeat by way of a modern jazz metropolis — one with every resource at hand.

When Dee Dee Bridgewater learned that she would become a 2017 NEA Jazz Master, a succession of thoughts and feelings flooded her mind. The news came as a total shock, as she tells it: "It was so far out of my orbit and just my whole sphere of thinking," she said in a conversation at NPR this spring, hours before she formally received her award.

Hugh Masekela was an up-and-coming trumpeter, all of 20, when he took an overnight train from Johannesburg to Cape Town to meet a pianist everyone was talking about in South Africa: Abdullah Ibrahim, then known as Dollar Brand.

Her voice is instantly recognizable. Her youthful exuberance, pure sound and positive energy just make you feel good. Her incredible technical abilities were self-evident, but when she sang, she radiated a joy consistent with her own character both on and off the bandstand.

David Amram On Piano Jazz

Apr 22, 2017

Known for his compositions, film scores and appearances as a guest conductor, David Amram started his professional life in music as a French hornist in the National Symphony Orchestra in the early 1950s. He went on to play horn in the legendary jazz bands of Charles Mingus, Dizzy Gillespie and Lionel Hampton.

Ralph Towner first came to the attention of a wide audience nearly 50 years ago as a member of the Paul Winter Consort, for whom he composed the group's most famous tune, "Icarus." The piece was so beloved, the Apollo 15 astronauts took the record to the moon — and named a crater after it.

Record Store Day, which celebrates its 10th anniversary this year, is a consumer ploy in the guise of a cultural event. Or, depending on your vantage, maybe it's the other way around. Whatever the case, record stores across the country and around the world are happily (or gamely) bracing for impact: Record Store Day 2017 falls this Saturday, April 22, with a wave of exclusive releases, in-store appearances and other retail enticements.

This Saturday is Record Store Day, and one of its many offerings is an unreleased film soundtrack by Thelonious Monk. We celebrate that release and Monk's centennial with one of his ballads.

This year's class of NEA Jazz Masters is as accomplished as they come, with Dee Dee Bridgewater on vocals, Dr.

Why do hip-hop producers gravitate toward jazz samples? For a mood, for sonic timbre, for a unique rhythmic component. Swing is a precursor to the boom-bap. "If you're a hip-hop producer that wants a lot of melodic stuff happening," pianist Robert Glasper says, "you're probably going to go to jazz first."

Nnenna Freelon On Piano Jazz

Apr 14, 2017

Internationally hailed as one of the greatest vocalists to come along in decades, Nnenna Freelon exudes both class and sophistication. Her soulful style consists of fresh interpretations of classic standards. A six-time Grammy nominee, she also starred in the critically acclaimed 2014 show Georgia On My Mind: Celebrating The Music Of Ray Charles in Las Vegas.

Dorothy Donegan On Piano Jazz

Apr 7, 2017

This week's episode of Piano Jazz remembers NEA Jazz Master Dorothy Donegan (1922—1998) with a session from 1983. Donegan's technical command of the piano was nothing short of breathtaking, and she was known for her onstage antics and flamboyance. In the house with Marian McPartland, she attacks the piano, hammering away with her elbows and knuckles on "Darn That Dream" and "Stormy Weather." McPartland and Donegan play two pianos on "Lullaby of Birdland" and "Rosetta."

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