Seattle Parks Plan Seattle officials want to hear from you about the future of the city’s parks. They're holding meetings this month to get public input on a parks plan that will guide where the city directs its resources in the years to come. We hear more from City Councilmember Sally Bagshaw.
Art Of Our City A new live music and film project explores the line between ambition and bad luck as it applied to the Donner Party. "We Are All Failing Them" is a new commission by Seattle’s Northwest Film Forum (teaser below). It’s a song cycle performed live to film. We talk with composer Robin Holcomb about the latest venture in her wide-ranging career.
Neal Thompson On Robert “Believe It Or Not!” Ripley A 1936 newspaper poll declared Robert Ripley the most popular man in America. How did a young, awkward newspaper cartoonist become a worldwide adventurer synonymous with the strange and unusual? Official Ripley biographer Neal Thompson joins us.
Vancouver Sun political correspondent Vaughn Palmer brings us the latest news from Canada. And it turns out Canada doesn’t want a coal port either. Then, film critic Robert Horton asks the question: What does it mean when something is “directed” in a movie? Also, Seattle Times economy columnist Jon Talton explores how the sequester cuts will affect our local economy.
Jean-Luc Godard used to say that all you needed to make a noir film was “a man, a woman and a gun.” Many movies still use that basic premise, but how do the Film Noir movies hold up some 60 years later?
Ross Reynolds talks with the "Czar of Noir" Eddie Muller about the notoriously dark film genre, the role it plays in film today and the noir festival that kicks off in Seattle tonight.
Despite its dark themes (slavery and the Civil War are hardly feel-good topics), Lincoln, like other Oscar nominees, has done very well at the box office. Disney has spent about $10 million campaigning for the best-picture prize, hoping for a payoff down the line.
How much is a best-picture Oscar worth? Not the statuette — winners are required to sell that back to the Academy for a buck if they want to get rid of it. No, what's the Oscar worth at the box office?