Al Gore has been delving into the future. The former vice president and media mogul (he just sold his Current TV network to Al-Jazeera English) says we are at the dawn of a new era.
In his new book, “The Future: Six Drivers of Global Change,” he takes an in-depth look at major shifts occurring in the world: globalization linked to automation and digital connections that are shaping a world where fewer workers are needed; population growth coinciding with a widening gulf between the haves and have-nots; new biological breakthroughs that are bringing humans into control of evolution.
In this month’s RadioActive podcast, hosts Bryce Ellis and Daniel Metz hear stories about high school students who aren’t "sluffin" when it comes to their futures (if you don’t know what "sluffin" means this show has got your definition).
One of the kids in these stories goes down the traditional four-year college route, while the others travel off the beaten path:
As the busy holiday shopping season revs up, it seems like retail stores and delivery services have the hardest working folks in town. But another industry shifts into high gear after Thanksgiving: the arts.
When Dance Theatre of Harlem was forced to close its professional company in 2004, it was a blow to dance lovers around the country and to fans in the Pacific Northwest. Seattle had been a frequent stop during the company's 35-year history, attracting raves for its productions of classical ballets as well as contemporary work influenced by African and African-American cultural traditions. So it seems fitting that after Dance Theatre of Harlem re-started its company two years ago, then mounted its first national tour in 2012, Seattle would be on the itinerary.