Art of Our City

Courtesy Tacoma Art Museum/Lisa Terry

When we think about blankets, we usually conjure comforting images: babies swaddled in flannel wraps, colorful afghans hand knit by loved ones, puffy quilts that we snuggle under when the weather is cold.

When artist Marie Watt thinks about blankets, she sees the raw materials for sculpture.

Courtesy Book-It Repertory Theatre

Seattle’s Book-It Repertory Theatre is like the "Little Engine That Could."

Courtesy On the Boards

Amy O’Neal is a formally trained white dancer who feels more at home with hip-hop culture and movement than with she does with Western European contemporary art.

Seattle Repertory Theatre/Nate Watters

  Acclaimed playwright Cheryl West’s work has been seen on stages from Washington state to Washington, DC. She’s written for the big screen and for television. This woman knows her stuff.

Courtesy of Seattle Opera/Brandon Patoc

Speight. That's the name that conjures Seattle Opera for tens of thousands of fans.

photo by Benjamin Benschneider, courtesy Seattle Art Museum

It's a Monday afternoon in June, and Seattle Art Museum Director Kimerly Rorschach leans on a metal railing near Elliott Bay at Seattle's Olympic Sculpture Park. The sun is shining, seagulls are whirling overhead, and Rorschach is eavesdropping.

photo by Ben Van Houten, courtesy SSO

Russian-born composer Igor Stravinsky's career spanned most of the 20th century, but chances are you know him best for a piece of music he wrote when he was just starting out: "Rite of Spring."

Courtesy Pacific Northwest Ballet/Lindsay Thomas

Most people see only the sparkly side of ballet: the live performances, with dancers in costume, pointe shoes tied, orchestra in the pit. Whether it’s the annual holiday production of “Nutcracker” or an edgier, contemporary work, many of the dancers at Pacific Northwest Ballet see performances as a reward for their hours of rehearsal.

Pacific Northwest Ballet Photo/Lindsay Thomas

Pacific Northwest Ballet Principal Dancer Kaori Nakamura remembers the day she got her first pointe shoes.

Seattle Repertory Theatre/Alan Alabastro

After almost three decades on the job, Seattle Repertory Theatre Managing Director Ben Moore will retire at the end of June.

Flickr Photo/Vikalpa

At 22, Joshua Roman became the Seattle Symphony's youngest-ever principal cellist. With his mop of curly brown hair and his baby face, Roman was a distinctive presence at Benaroya Hall.

But just two years after the young musician took up his post, Roman decided to leave the orchestra to carve out his own career as a concert performer.

Flickr Photo/~C4Chaos

Matthew Richter has his dream job. For the past eight months, he has served as Seattle's Cultural Spaces Liaison. But when you ask him to tell you what a cultural space is, he laughs.

"That's the million dollar question,” Richter said. “It's like pornography (you know it when you see it)."

Courtesy of Seattle Art Museum/Jennifer Richard

Seattle Art Museum's waterfront Olympic Sculpture Park was still a work in progress when SAM Education Director Sandra Jackson-Dumont arrived here in 2006.

"The Neukom Vivarium, that big log in the glass case, it was up in a hoist," she recalls. "It looked like some kind of living UFO."

Courtesy of ACT Theatre/John Cornicello

Seattle has a nice reputation. We are squeaky clean, we compost and recycle, and rumor has it we have more people trained in CPR than most cities our size in America.

But a new cabaret show at Seattle's ACT Theatre aims to show the shady past underneath that shiny image. Seattle is a port city, and like every port city, it has had its share of vice, corruption and not-niceness.

Courtesy of Seattle Shakespeare Company/John Ulman

Oscar Wilde is one of those people: You've heard of him, even if you've never read his novels or seen one of his plays.

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