ACT Theatre

courtesy ACT Theatre

When Tyrone Brown was a kid, just six or seven years old, his mom took him to Seattle's 5th Avenue Theater for a performance of the long-running musical, "Annie."

"She actually just dropped me off at the theater and let me watch it by myself," Brown says.

ACT - A Contemporary Theatre

After 77 plays, Alan Ayckbourn knows his way around a theater. Ayckbourn has won every possible accolade during his long career, but even a 2006 stroke that left him with limited use of an arm and leg hasn't stopped the prolific writer and director.

Electric Cars, Isabel Allende, And President Obama's Sister

Apr 25, 2013

Electric Car Company Under Congressional Scrutiny
Fisker Automotive is the latest beneficiary of the Obama Administration’s push for renewable energy to flounder. The electric car startup recently fired 75 percent of its workforce and hired bankruptcy advisers. Congress is asking questions about the propriety of federal loans to the politically well-connected company.

A Conversation With Writer Isabel Allende
Isabel Allende is a world-renowned writer, with 19 books in 35 languages. Her latest is "Maya’s Notebook," a tale that revolves around a descent into addiction and a rebirth through the love of family and place.

A Conversation With President Obama’s Sister, Maya Saetoro-Ng
A famous sibling can be a blessing or a burden. Maya Saetoro-Ng is the half-sister of President Obama. She uses her perspective as a history teacher to analyze how her brother’s presidency will be remembered.

Seattle Theater’s Power Couple
Seattle theater audiences know R. Hamilton “Bob” Wright from his long career onstage acting and of late, directing. Wright’s wife, Katie Forgette, is also a fixture on Seattle stages as an actress and now a playwright. Forgette’s newest play has opened at ACT Theatre directed by husband Bob Wright.

ACT's "Ramayana"
ACT Photo/Copyright LaRae Lobdell

“The Ramayana” is a sacred text for millions of Hindus.  Now Seattle’s ACT Theatre has adapted the epic saga of good and evil for the stage.  Playwrights Yussef El-Guindi and Stephanie Timm used an English translation of the original Sanskrit, and synthesized 24,000 verses into three hours of theater.