To Understand How Religion Shapes America, Look To Its Early Days | KUOW News and Information

To Understand How Religion Shapes America, Look To Its Early Days

Jun 28, 2017
Originally published on June 29, 2017 10:57 am

Religion has played an outsized role in U.S. history and politics, but it's one that has often gone unrecognized in U.S. museums.

"As a focused subject area, it's been neglected," says Peter Manseau, a scholar and writer installed last year as the first full-time religion curator at the Smithsonian Institution's National Museum of American History.

America's exceptional commitment to religious freedom stems from the diversity of its faith traditions. The rebellious attitudes prevalent in frontier settlements fostered the growth of evangelical movements. African slaves introduced Islam to America. The drive to abolish slavery was led largely by Christian preachers.

"We can't tell the story of America without telling the story of religion," Manseau says, "and we can't answer questions about the importance of religion today without going back to earlier generations."

Manseau's appointment as curator and his inaugural Religion in Early America exhibit signal "the beginning of a renewed engagement with the role of religion in American history," according to John L. Gray, the museum director. Each of the objects in Manseau's exhibit adds a special dimension to the larger narrative.

The oldest item in the collection is the Bay Psalm Book, a translation of the Psalms assembled by a team of educated Puritans in the Massachusetts Bay Colony in 1640. The Puritans split from the Church of England, determined to purify the practice of their faith. The only songs they allowed in their worship were the Psalms, but they needed a Psalm book for their services.

"It's a great example of the do-it-yourself approach to American religion that you see again and again," says Manseau, who holds a Ph.D. in the history of religion from Georgetown University and is the author of several books. "Separated from the cultures in which these traditions were born, there's a need to improvise, a need to make things new, with the materials at hand."

The persecution that Puritans faced in England was a key factor driving them to the New World. So it also was with Quakers, Baptists, Shakers, Jews, and other religious minorities, all of whom saw America as a place they would finally be free to practice their faith.

"This country, somewhat uniquely, is a nation of transplanted religions," Manseau says, "interacting with the beliefs and practices that were here, but also with new traditions coming in, learning and needing to negotiate, to compromise, and finding ways to live together. The practical implication of this diversity was religious freedom and the disestablishment of any particular church."

The idea of rebelling against conventionally practiced religion is a big part of America's faith history. George Whitefield, an Anglican minister from England, was such an outspoken and controversial preacher that he was not welcome in most churches, so he built his own pulpit and took it on the road, preaching outdoors to crowds that numbered in the thousands.

Whitefield's portable pulpit, about six feet tall, with hinged sides, is in the Smithsonian exhibit. "You could fold it up and strap it to the side of a horse or throw it in the back of a cart," Manseau notes. The itinerant preacher is believed to have used it about 2,000 times, thus pioneering the great revival meetings that became a key feature of evangelical Christianity in the United States.

Whitefield's popular appeal demonstrated the deep religiosity of many Americans in the colonial era, but some of their founding fathers weren't so devout. As a man of reason, Thomas Jefferson struggled with Christianity, trying to reconcile the teachings of Jesus with the ideals of the Enlightenment. His idea was to edit the Bible, literally.

Working in the four languages familiar to him – English, French, Greek, and Latin – Jefferson went through several copies of the New Testament, following the scripture closely.

"With a pen knife, he would remove those sections that he agreed with and found useful, and then he glued them together in this four-column book," Manseau says, pointing to a yellowing cut-and-pasted Bible in a display case, "one column for each language."

Jefferson called his version of the New Testament "The Life and Morals of Jesus of Nazareth." The Smithsonian exhibit includes one of the Bibles that Jefferson cut apart, as well as the one he created from his pasted clippings.

With his rendering, Jefferson offered a New Testament narrative he found preferable to the original.

"Jefferson saw himself as a Christian in what he thought was the truest sense, as one who saw Jesus as a moral exemplar and a teacher," Manseau says. "He didn't have any use for miracles or the supernatural, which he took to be additions added to the story later on." Notably, Jefferson's version ends with Jesus being buried and does not include the Resurrection.

Though America is often portrayed as a Christian nation, its religious history is more complex, as the exhibit makes clear. Many of the African slaves brought to America were Muslims. Some were literate in Arabic, and did their best to maintain their faith. One, a man named Bilali Muhammed, wrote a thirteen page text in Arabic, which has been preserved and is displayed in the exhibit.

"It is a very simple document," Manseau says. "It contains some basics of Islamic practice, [such as] 'These are the times at which we pray. This is why we wash our hands. This is why we wash our feet before we pray.'"

Manseau does not read Arabic, but scholars have told him the text includes only "snatches" of quoted text from the Quran. "The text appears to have been written by someone who was in the process of forgetting," Manseau says, "trying his best to hold on to what he once knew. There are basic ideas of, 'This is what I want to pass on to my children if they're going to learn to be Muslims,' as well as words of praise to Allah, despite the circumstances."

Religious faith, in fact, was key to the abolition of slavery. The Religion in Early America exhibit tells that story in part through a pair of saddlebags, once belonging to a former slaveholder named Freeborn Garretson, a plantation owner and man of wealth in Maryland.

Garretson was also a religious man, and one Sunday morning, while reading the Bible, he was suddenly struck by a thought from above, which he interpreted as the voice of God, commanding him to let his slaves go free.

From that day on, Garretson was a committed abolitionist and spent the rest of his days as an itinerant minister, traveling on horseback from plantation to plantation, preaching the evils of slavery and trying to convince other slaveowners that they were violating God's will.

Garretson's saddlebags are on display in the exhibit as, in Manseau's words, "the iconic objects of itinerant preachers throughout early America. " He says Garretson carried Christian tracts in the bags, as well as pro-abolition writings which he shared with the people whose opinions he was hoping to change.

The "Religion in Early America" exhibits will continue at the Smithsonian's National Museum of American History for a full year.

Copyright 2017 NPR. To see more, visit http://www.npr.org/.

ROBERT SIEGEL, HOST:

Religion has always played a large role in the history and politics of this country. But in many ways, it has been an untold story. Well, the Smithsonian Museum of American History wants to change that. For the first time, it has a full-time religion curator. And a new "Religion In Early America" exhibit sheds light on what makes U.S. history special. Here's NPR's Tom Gjelten.

TOM GJELTEN, BYLINE: Crossing the Atlantic was a dangerous proposition in the colonial period. There had to be a good reason to do it. Many colonists were seeking sanctuary, members of some religious minority back home facing persecution for their beliefs. Puritans, Baptists, Quakers, Catholics - America to them was a place they'd be free to practice their faith.

PETER MANSEAU: This country, somewhat uniquely, is a nation of transplanted religions.

GJELTEN: It's the story Peter Manseau tells in his first exhibit as the Smithsonian's new religion curator.

MANSEAU: New traditions coming in, now learning and needing to negotiate, to compromise, and finding ways to live together.

GJELTEN: To live together, America's tradition of religious freedom arising from its great diversity of faith. Each item in this exhibit adds another dimension to the story. The oldest is the Bay Psalm Book published in 1640 by the Puritans in Massachusetts wanting to purify their worship. Rebellion is a theme of America's religion history. George Whitfield was so controversial as a preacher that he was not welcome in most churches. So he built his own pulpit and took it on the road, preaching outdoors to huge crowds.

MANSEAU: It's about 6 foot tall. The base is about 3 feet off the ground. It has several hinges so you could fold it up and actually strap it to the side of a horse or throw it into the back of a cart.

GJELTEN: Whitfield's thought to have used his portable pulpit about 2,000 times. He was America's first great evangelical preacher. While Americans have always been a religious people, some of their founding fathers weren't so devout. Thomas Jefferson struggled with Christianity, trying to reconcile the teachings of Jesus with the ideals of the Enlightenment. His idea was to edit the New Testament - literally.

MANSEAU: And with a pen knife he would remove those sections that he agreed with and found useful.

GJELTEN: Jefferson then pasted those sections together, making a new book. He called it "The Life And Morals Of Jesus Of Nazareth." The Smithsonian exhibit includes both a Bible that Jefferson cut apart and one he created from his pasted clippings. It gives his version of the New Testament story.

MANSEAU: Jefferson saw himself as a Christian in what he thought as the truest sense, as one who saw Jesus as a moral exemplar. He didn't have any use for miracles or the supernatural. And so perhaps most interestingly, Jefferson's Bible does not include the resurrection.

GJELTEN: America's religious history is not just about Christianity. Many enslaved Africans were Muslims, among them Bilali Muhammad, who, in a desire to keep his faith alive in America, wrote out a 13-page text in Arabic.

MANSEAU: It is a very simple document. It contains some basics of Islamic practice. These are the times at which we pray. This is why we wash our hands. This is why we wash our feet before we pray.

GJELTEN: Scholars think the text suggests Bilali was in the process of forgetting and trying to hold on to what he once knew.

MANSEAU: Very basic ideas of this is what I want to pass on to my children if they're going to learn to be Muslims, as well as just words of praise to Allah despite the circumstances.

GJELTEN: People motivated by their religious beliefs were among those who pushed most vigorously for the abolition of slavery. Smithsonian curator Peter Manseau tells that story through a pair of saddlebags. They belonged to a man named Freeborn Garrettson, himself a slave owner until one Sunday morning, when, while reading the Bible, he was stopped cold.

MANSEAU: He heard the voice of God command him to let his slaves go free.

GJELTEN: Inspired, Garrettson became an abolitionist minister, traveling from plantation to plantation, trying to convince other slave owners that they were violating Christian teaching.

MANSEAU: He carries with them these saddlebags, which become the iconic objects of itinerant preachers throughout early America.

GJELTEN: And what did he carry in those saddlebags?

MANSEAU: Bible tracts, other reading material related to abolition and ultimately the conversion of those to whom he was preaching.

GJELTEN: The diversity and significance of the American faith experience explained through a songbook, a portable pulpit, a cut-and-pasted Bible, a slave's notebook and a pair of saddlebags at the Museum of American History beginning today. Tom Gjelten, NPR News. Transcript provided by NPR, Copyright NPR.