In June 1989, Sub Pop Records rented out the Moore Theatre in Seattle to showcase three of its up-and-coming bands: Mudhoney, Tad and Nirvana. The manager sent security home early because he didn’t think anyone would show up.
The manager was wrong: It was the first sold-out show by a local group. The lack of control and the chaos from a crazy crowd resulted in Sub Pop being blacklisted from the Moore for the next 10 years.
Sub Pop Records may have started small but the label has always made a big impression. Sup Pop, which began as a fanzine and evolved into a record label in the late 1980s, is considered the epicenter of the grunge movement. Megan Jasper, vice president at Sub Pop, gives Ross Reynolds a tour of the office.