Ross Reynolds talks with book lusting former librarian Nancy Pearl about why she says "Factory Man," Beth Macy's non-fiction book about a family furniture company, reads like a page-turning fiction tale.
Broadcasting live from the land of legal weed and sliding into the frame like a giant Pacific octopus, here comes Lese Majesty, the third album from Seattle's Shabazz Palaces. It's definitely hip-hop, but... was that a drum? Human? Synthesizer? Sample of an old record? We may never know. MC and producer Ishmael Butler keeps his cards close.
In 1960, Harper Lee published To Kill a Mockingbird, won the Pulitzer Prize, and overnight became one of America's most beloved writers. But Lee was overwhelmed by the media blitz that followed. She retreated from the public eye, became wary of journalists, and never published another book.
Then, in 2001, a reporter for The Chicago Tribune showed up in Lee's hometown of Monroeville, Ala., to work on a story about the town, which is the model for the fictional setting of Lee's novel.
Human beings have been drawn to stories for thousands of years. They captivate us. We yearn for them — “tell the one about … ” — ad infinitum. Sometimes we get the story right. Sometimes not. Stories break. Stories change. And sometimes it helps to turn a story upside down.
Our guest is writer and historian Rebecca Solnit. Her books explore ecology, landscape, community, art and politics.