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Stephen Thompson

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(SOUNDBITE OF PRINCE SONG, "KISS")

STEVE INSKEEP, HOST:

My Twitter feed is still roiling. As I write this, it's been mere moments since my friends and colleagues (and a few assorted celebrities) started taking a break from praising the 2017 Grammys' most vital and viral performances — A Tribe Called Quest, Beyoncé, The Time, a bonkers Lady Gaga-Metallica mashup — to fume about Adele's sweep of the night's top three prizes.

In honor of MTV's 35th birthday Monday, the network has launched MTV Classic, a new channel featuring programming from the '90s and '00s. On the same day, we also wish a happy birthday to NPR Music and Pop Culture Happy Hour's Stephen Thompson, who celebrates with an interview on All Things Considered about how MTV Classic is redefining which popular culture fits into the current environment for nostalgia.

We get a lot of mail at NPR Music, and alongside the Archer paraphernalia we bought at Comic-Con and shipped to ourselves is a slew of smart questions about how music fits into our lives — and, this week, thoughts on musicians' publicity photos.

For 23-year-old singer-guitarist Lydia Loveless, gritty, countrified blues-rock is a palette broad enough to include literary drama — complete with fatalistic references to the doomed French poets Paul Verlaine and Arthur Rimbaud — and a plainspoken plea for oral sex.

Transcript

AUDIE CORNISH, HOST:

At NPR Music, they're wrapping up the year the best way they know how, with their hotly contested list of their 50 favorite albums of 2013. Now, all this week, we'll get a peak of that list from our in-house experts, including NPR Music writer and editor Stephen Thompson, whose beat is the ever amorphous indie pop, which - Stephen, what exactly is that these days?

STEPHEN THOMPSON, BYLINE: I have absolutely no idea. It used to mean accessible but unpopular.

CORNISH: OK. So...

(LAUGHTER)

This session, from Sept. 2, 2011, is part of our Vintage Cafe series, in which we revisit some of our best studio performances.

Listen to Stephen Thompson's conversation with Audie Cornish on All Things Considered by clicking the audio link.


The South by Southwest music festival kicked off Tuesday with the first of five straight nights of music overload: The clubs, makeshift music venues and front porches of Austin, Texas, were overrun with little-known discoveries-in-waiting and big names alike, as well as tens of thousands of fans who have flocked to the city in search of epiphanies.

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With the conclusion of Sunday night's ceremony, Linda Holmes and I have now live-blogged fully one-eleventh of the Grammy Awards' 55 annual incarnations. Below is our original post and an archived live blog of the telecast:

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Ben Gibbard has spent so much time at the head of various bands — Death Cab for Cutie, The Postal Service, All-Time Quarterback — that it's easy to forget how well his sweetly brainy songs work in a solo acoustic setting. His melodies are sturdy enough to withstand skeletal arrangements, and though his persona is unassuming by nature, he remains a charismatic and charming live performer.