Gene Demby

Gene Demby is the lead blogger for NPR's Code Switch team.

Before coming to NPR, he served as the managing editor for Huffington Post's BlackVoices following its launch. He later covered politics.

Prior to that role he spent six years in various positions at The New York Times. While working for the Times in 2007, he started a blog about race, culture, politics and media called PostBourgie, which won the 2009 Black Weblog Award for Best News/Politics Site.

Demby is an avid runner, mainly because he wants to stay alive long enough to finally see the Sixers and Eagles win championships in their respective sports. You can follow him on Twitter at @GeeDee215.

A few years ago, a pair of sociologists named Andrew Papachristos and Christopher Wildeman decided to study gun violence in Chicago. They focused on a specific community on the west side: overwhelmingly black and disproportionately poor, with a murder rate that was five times higher than the rest of the city.

Their approach was to look at gun violence the way epidemiologists study disease — examining the way it spread by social connections. And like a virus, they found that there were certain people who were especially at risk of being touched by it.

"If the system was fair, would I be okay with prison? I'm saying that if the system was fair, there would be no prison."

-- Morehouse College Professor Marc Lamont Hill

There was perhaps no movie more buzzed-about coming out of the Sundance Film Festival in January than Nate Parker's directorial debut, The Birth of A Nation, a retelling of Nat Turner's 19th century rebellion of enslaved people in Virginia.

One of the most surprising stories of the Olympics, which end on Sunday, was the unseeded Monica Puig's improbable march to the gold medal in women's singles tennis. Puig's win captured Puerto Rico's first-ever gold medal in the Olympics, and set off massive celebrations across the island. It was a big-ass deal.

Why aren't more of my white friends on Facebook talking about this stuff?

It was two years ago this week that a police officer shot and killed Michael Brown in Ferguson, Mo., in a case that became an inflection point in the way Americans talk about race and policing.

On the final night of the Republican National Convention last month, as Donald Trump formally accepted his party's nomination for president, my Code Switch co-host Shereen Marisol Meraji fired off a tweet about how unnerved she was watching Trump's address, with its angry denunciations of Muslims and Mexican immigrants.

"This speech is difficult to listen to as a Latina and an Iranian," she wrote. "So much fear-mongering."

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One of the most notorious, oft-watched moments in the O.J. Simpson murder case was his nationally televised slow-speed escape from police on the freeways of Los Angeles in a white Ford Bronco. It's a testament to Ezra Edelman's riveting, unsettling five-part ESPN documentary O.J.: Made In America that the filmmaker finds a new lens through which to view it: the real-time collision of a city's sordid racial history with one black celebrity's seeming lifelong project to sidestep the tidal forces of race in America.

The death of Muhammad Ali — one of the world's greatest boxers — has come with a wave of tributes and memorials. We've been taken back to his most triumphant fights and were reminded of just how handsome he was. (I mean, did we ever really forget?)

At long last — the first episode of the Code Switch podcast! We decided to start off with a question we've been fixated on over the past few months: Why is it so hard to talk about whiteness?

Ahead of our forthcoming podcast, I've been heads-down in some reading and interviews about the way we talk about, well, white people. Whiteness has always been a central dynamic of American cultural and political life, though we don't tend to talk about it as such.

The "monoculture" has supposedly been dead for at least a decade, but it ain't necessarily so. World-devouring pop music phenomena do still exist, but today that universe is made entirely of Beyoncé — a Michael Jackson/Madonna/Prince figure whom everyone who cares about popular culture is supposed to grapple with and have big thoughts about.

It's been only a year and a half since the social protest movement around police violence commonly referred to as Black Lives Matter emerged as a major political force.

Much of this movement's momentum-building and organizing happened on Twitter, and a fascinating new study by media scholars Charlton McIlwain, Deen Freelon and Meredith Clark mapped out how it happened and who drove.