Eric Deggans | KUOW News and Information

Eric Deggans

The voice came from over my shoulder, a shouted greeting in a room crowded with journalists, publicists, network executives, producers and stars.

I tuned to see David Boreanaz, star of the Fox TV show Bones, calling out to me like a long-lost friend. I knew he had mistaken me for someone else — in a party held by Fox at the exclusive Soho House club, where everyone from Kelsey Grammer to David Tennant was sipping cocktails and talking shop, it wasn't hard to make that kind of mistake.

I didn't know, watching Isaac Hayes push James Garner around on The Rockford Files, that I was seeing a special character continue an important television legacy.

All I knew, as a devoted fan of Garner's put-upon private eye, was that Jim Rockford seemed like a kind of hero you never saw anywhere else on television.

There are things you could quibble about in the array of nominations announced today for the 66th Primetime Emmy Awards.

No best drama series nomination for CBS' The Good Wife, though several stars got acting nods. No acting nomination for Orphan Black star Tatiana Maslany, though she plays about eight different roles on BBC America's clone-focused adventure drama. No best variety show nod for John Oliver's increasingly stellar Last Week Tonight on HBO. And a best TV miniseries nod for Lifetime's dreadful Bonnie and Clyde?

Diane Sawyer will leave her job as anchor of ABC News' flagship program, World News, during the last week of August, capping a five-year run at the show and kicking off an anchor shuffle at the network.

HBO's True Blood, which returns for its final season Sunday, is a prime example of a TV show that kept going long after it should have ended. It's not alone, though: Other shows have stayed too long at the party, including Dexter and Law & Order: SVU. Why is it that some shows stay on air well after they've run out of creative juice?

He's known as an astute comic observer with an unerring ability to skewer the most hypocritical moments of modern life. But it turns out Louis C.K. can also be a surprising example of TV's double standard when it comes to men, women and weight. He complains about his tubby body in part of his standup act. But on his TV show, his love interests are often beautiful, thin actresses like Parker Posey and Yvonne Strahovski.

It's not often the gods of TV hand you almost exactly what you ask for.

So it's time to praise Comedy Central for trying something different in late night, handing Stephen Colbert's time slot to the guy who plays The Daily Show's "senior black correspondent," Larry Wilmore.

This is the moment that launched a TV revolution, every week. The police roll call: Sgt. Phil Esterhaus faced his colleagues — a paternal, knowing grin on his face — while he ran down the day's advisories about a black male pickpocket wearing a blond wig and purple dress, or the need for officers to catch a rapist terrorizing their precinct.

"Let's spend a little less time flirting with the hookers and the waitresses and put some heavy attention on that park," Esterhaus told his patrolmen in one roll call, sparking laughter and feigned denials from the crowd.

***For Mad Men fans who missed Sunday night's Season 7 premiere, be warned: There are spoilers below.

Don Draper finally told the truth, and it ruined his life.

Perhaps that shouldn't have been such a surprise. Because Don has mostly been a master of the lie — especially in the form of an ad pitch. And he never lost his touch: He suckered everyone last season with one of his best pitches for Hershey's chocolate bars.

CBS just ended the longest-running joke in TV history by naming Stephen Colbert to succeed retiring late-night host David Letterman

That's because Colbert, who has won all kinds of acclaim playing fictional right-wing cable TV news host "Stephen Colbert" on The Colbert Report, will now play a new character when he takes over Letterman's Late Show:

Himself.

The Weather Channel will return to DIRECTV on Wednesday, ending a three month dispute which saw the cable channel yanked from the satellite television system reaching 20 million subscribers.

But the new agreement comes with a price: the Weather Channel has agreed to cut back its reality programming by half during weekdays, restore instant local weather and allow DIRECTV subscribers to watch the cable channel on a range of devices in and out of their homes.

Copyright 2018 NPR. To see more, visit http://www.npr.org/.

MELISSA BLOCK, HOST:

This is ALL THINGS CONSIDERED from NPR News. I'm Melisa Block, hosting this week from member station KERA in Dallas.

ROBERT SIEGEL, HOST:

And I'm Robert Siegel in Washington.

Copyright 2018 NPR. To see more, visit http://www.npr.org/.

ROBERT SIEGEL, HOST:

David Letterman, the longest-serving late night television host, is retiring.

(SOUNDBITE OF SHOW, 'LATE NIGHT WITH DAVID LETTERMAN')

The view from inside a media circus is an odd one, indeed.

But I got a glimpse of the scenery a few days ago, when CNN asked me to weigh in on the similarities between the real-life missing Malaysia Airlines Flight 370 and the myriad of fictional TV shows or movies where similar events have unfolded.

Why are we so drawn to these stories? anchor Suzanne Malveaux asked me in a few different ways, perhaps wanting an emotional take on how the plane crash scene in the TV series Lost or the film Alive could have ended Flight 370's mysterious voyage.

When the interviewer for BBC Radio finally reached me Monday to talk about the failure of Piers Morgan's 9 p.m. interview show on CNN, she basically had one question, asked many different ways.

Are Americans finally tired of arrogant British TV personalities?

When Jimmy Fallon first stepped up to lead a late-night talk show in 2009, he looked like a teenager trying to drive his dad's Ferrari: a good kid who was out of his depth.

If you spend much time talking about diversity in Hollywood, it's an argument you'll hear often: that ethnic and gender diversity is nice, but it doesn't make a movie profitable or bring ratings to a TV show.

But researchers at the Ralph J. Bunche Center for African American Studies at UCLA have produced a study that just might stick a pin in that defense, sorting through over 1,200 films and TV shows to reach a provocative conclusion:

Diversity makes more money and brings bigger audiences.

Not many people can say they got pushed out of a job twice while at the top of their game. But Jay Leno, the famously workaholic host of NBC's Tonight Show, is one who can.

By most measures, he should be one of the Peacock Network's most powerful stars; for 22 years – with one small break — he's hosted the highest-rated late-night show on television. Even as profits have sagged in recent years, the Tonight Show franchise pulls in $125 million in revenue, according to Kantar Media (that figure, however, is down from $255-million in 2007).

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RENEE MONTAGNE, HOST:

Who should be eligible to receive an award from the National Association for the Advancement of Colored People? And if that definition becomes flexible, what does that do to the mission of the award itself?

That's a question worth asking as the NAACP Thursday unveiled a huge roster of nominees for its 45th annual Image Awards — a ceremony long thought to be a way to honor African-American performers who are often ignored by mainstream Hollywood awards contests.

It may seem, now that Saturday Night Live has hired a black female cast member and two black female writers, that the conversation about diversity on TV's most influential comedy show is over.

But it's just getting started.

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DAVID GREENE, HOST:

And let's look back now on 2013 with our TV critic Eric Deggans. He says it was the year of the binge viewer and a special kind of program made it so.

The email arrived with the kind of snarky tone reserved for a moment when the author is sure he — and it's usually a he — thinks he's hoisted you with your own petard.

A bit of back story: Last week, I tweeted a question wondering why CBS This Morning used a clip of Toto's hit song "Africa" under a montage of photos from Nelson Mandela's funeral. The tweet went viral, sparking stories on several websites and agreement from a co-founder of the band.

As the holiday season approaches, the TV cupboard may seem a bit bare; the industry winds down like everything else, filling cable and broadcast networks with holiday specials, reruns and also-ran reality shows.

But there are bright gifts, too: TNT offers Mob City, a three-week, lavishly produced noir-ish TV show about cops and crooks vying for control of 1947-era Los Angeles, airing Wednesdays.

On Dec. 8 and 9, A&E presents a four-hour miniseries on Bonnie and Clyde, retelling the story of the Depression-era outlaws and lovers.

Copyright 2018 NPR. To see more, visit http://www.npr.org/.

DAVID GREENE, HOST:

There are about a dozen reasons I really wanted to love Alpha House, an original comedy series about four U.S. senators sharing a home on Capitol Hill. It premieres on Amazon — yes, Amazon — on Friday.

The biggest reason: often-underrated star John Goodman, playing a politician up for re-election who knows exactly what voters value in a legislator:

It's easy, when writing about network TV, to be cynical.

For example, when I heard the Fox network had been holding annual conferences on diversity, telling top show producers their casts and crew had to feature more people of color, I remained skeptical. What's the catch, I wondered?

(This post was updated at 4:40 p.m. ET)

How did TV's most storied newsmagazine make such a huge mistake? And why won't they explain exactly what happened?

Those are the questions left unanswered days after 60 Minutes correspondent Lara Logan and CBS News Chairman Jeff Fager retracted an Oct. 27 story about the terrorist attack on the U.S. mission in Benghazi, Libya, that featured a suspect source: government contractor Dylan Davies.

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