Ann Powers

Ann Powers is NPR Music's critic and correspondent. She writes for NPR's music news blog, The Record, and she can be heard on NPR's newsmagazines and music programs.

One of the nation's most notable music critics, Powers has been writing for The Record, NPR's blog about finding, making, buying, sharing and talking about music, since April 2011.

Powers served as chief pop music critic at the Los Angeles Times from 2006 until she joined NPR. Prior to the Los Angeles Times, she was senior critic at Blender and senior curator at Experience Music Project. From 1997 to 2001 Powers was a pop critic at The New York Times and before that worked as a senior editor at the Village Voice. Powers began her career working as an editor and columnist at San Francisco Weekly.

Her writing extends beyond blogs, magazines and newspapers. Powers co-wrote Tori Amos: Piece By Piece, with Amos, which was published in 2005. In 1999, Power's book Weird Like Us: My Bohemian America was published. She was the editor, with Evelyn McDonnell, of the 1995 book Rock She Wrote: Women Write About Rock, Rap, and Pop and the editor of Best Music Writing 2010.

After earning a Bachelor of Arts degree in creative writing from San Francisco State University, Powers went on to receive a Master of Arts degree in English from the University of California.

12 Years a Slave is the most compelling film about music to be released this year, maybe this century. It's so many other things, too, as others have noted: a corrective to the weird cocktail of piety and cartoonishness that Hollywood usually supplies when depicting slavery; a gorgeous art film and an actor's hellish paradise; a cultural highlight of the Obama administration.

The new documentary Muscle Shoals recalls how interracial harmony in tumultuous times made possible a new kind of music. Leading African-American artists traveled to North Alabama — not exactly a place they thought they'd be welcome in the civil rights era — to jam with an all-white crew of session players. In little rooms near the wide Tennessee River, they perfected soul and anticipated Southern rock.

One of the Twitter hashtags devised by rabid Beyonce fans before last night's Super Bowl halftime show was religious in nature: #praisebeysus. Praise Beysus! This bit of hyperventilating resonated in interesting ways. Strutting into the very center of America's biggest television spectacle, the 31-year-old superstar intended to secure her place in the musical pantheon next to recent Super Bowl-approved legends Madonna, The Who, Bruce Springsteen and Prince.